Content is king. One of the biggest challenges for emerging display technology is content availability. Whether it’s 3D, 4K or wide color gamut, these new features simply aren’t worth much without access lots of great, optimized content.
As new 4K TV’s begin hitting store shelves this year, they are entering a content vacuum.
Standards bodies like the Consumer Electronics Association (CEA) and International Telecommunication Union (ITU) are still working out the precise definition of marketing terms like Ultra High Definition TV (UHDTV). Proposed standards could include support for eight million pixel resolution, extremely wide color gamut and 3D content. But, today, there is almost no content out there that takes full advantage of all of the exciting capabilities of the new sets.
And, unlike the transition to HDTV, there’s no government-mandated switch on the horizon to force broadcasters to get on board.
At least one set-maker is taking it upon themselves to solve this problem by delivering both the 4K content and hardware. Sony announced last week that it will loan a 4K Ultra HD video player loaded with UHD content to buyers of their new 84” UHD television. The selection of 4K content on this player is fairly limited for now, but as more titles are released, this approach could help drive adoption of high resolution and wide color gamut formats. I wouldn’t be surprised if other set makers started following suit, though Sony does have an inherent advantage, owning a movie studio.
Excuse my ignorance I stumbled upon your web-site trying to understand the difference between ACES / OpenEXR colour space and Rec.2020 both of which are being put forwards for UHTV.
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